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Country, Americana, Contemporary Country, Roots Rock, Alt-Country, Country-Rock, Alternative/Indie Rock, Heartland Rock, New Traditionalist
's first major American tour following the release of his debut album,
found himself sharing a bill with
one night and
another, and one listen to the album explains why -- while the music was country through and through,
showed off enough swagger and attitude to intimidate anyone short of
's songs bore a certain resemblance to the Texas outlaw ethos (think
in "Lonesome, On'ry and Mean" mode), they displayed a literate anger and street-smart snarl that set him apart from the typical Music Row hack, and no one in Nashville in 1986 was able (or willing) to write anything like the title song, a hilarious and harrowing tale of life on the road ("Well, I gotta keep rockin' while I still can/Got a two-pack habit and motel tan") or the bitterly unsentimental account of small-town life "Someday" ("You go to school, where you learn to read and write/So you can walk into the county bank and sign away your life"), the latter of which may be the best
song the Boss didn't write. And even when
gets a bit teary-eyed on "My Old Friend the Blues" and "Little Rock 'n' Roller," he showed off a battle-scarred heart that was tougher and harder-edged than most of his competition.
is slightly flawed by an overly tidy production from
Emory Gordy, Jr.
as well as a band that never hit quite as hard as
's voice, and he would make many stronger and more ambitious records in the future, but
was his first shot at showing a major audience what he could do, and he hit a bull's-eye -- it's perhaps the strongest and most confident debut album any country act released in the 1980s.
Mark Deming, Rovi
Goodbye's All We've Got Left
Good Ol' Boy (Gettin' Tough)
My Old Friend the Blues
Think It Over
Little Rock 'n' Roller
Down the Road
purchase full album
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What a Crying Shame
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The Devil You Know
Hammer of the Honky-Tonk Gods
The Trailer Tapes
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