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Fine Young Cannibals
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When
the Beat
(known as
the English Beat
in the U.S. only) split in 1983, it came as a surprise to guitarist
Dave Cox
and bassist
David Steele
. The first time they realized that the group's vocalists,
Ranking Roger
and Dave Wakelin, had gone off to form a group without them was when their accountant phoned to finalize the divorce. While the defectors had formed
General Public
,
Cox
and
Steele
set about creating something new of their own. Apart from not wanting to repeat the mistakes
the Beat
made, and a vague notion of adding both jazz and soul to
the Beat
's ska roots (they also decided to feature a strong vocalist), there was no real master plan.
The latter proved harder than they could have imagined. More than 500 potential singers auditioned, before, despairing of finding someone, they decided to seek out a singer whose band had once supported
the Beat
. They found
Roland Gift
singing with a barroom R&B band named the Bones, looking like Sidney Poitier but sounding like
Otis Redding
. He was everything they had remembered; he was their man.
Gift
had spent his teenage years in youth theatre, until the advent of punk made music his main passion. As punk gave way to the two-tone ska which gave rise to groups like
Madness
and, ultimately,
the Beat
,
Gift
took up saxophone and singing in a local band.
Keeping live work down to just the occasional on-off date,
the Fine Young Cannibals
signed to London Records in early 1985. Their name came from an obscure 1960 film starring
Robert Wagner
and
Natalie Wood
. Resisting the record company's attempts to team them up with a producer determined to make the group a product of her sound rather than theirs,
the Fine Young Cannibals
released a demo version of "Johnny Come Home" as their first single. Its instant success allowed them to team up with a compatible producer,
Robin Miller
, for the first
Fine Young Cannibals
album, also containing the group's trademark overstated version of
Elvis Presley
's "Suspicious Minds." For the
Johnathan Demme
film Something Wild, they reached back into
Gift
's punk past with a version of
the Buzzcocks
' classic "Ever Fallen in Love." Five years later, a second album emerged, The Raw and the Cooked, the raw side made up mostly of songs the group had contributed to
Barry Levinson
's film Tin Men. The single "She Drives Me Crazy" was a worldwide number one hit.
Since then,
the Fine Young Cannibals
have remained elusive.
Cox
and
Steele
continue to work together under various names, while
Roland Gift
's hoped-for film career never quite took off.
The Fine Young Cannibals
have never officially broken up, and rumors of reunions and recording sessions have persisted. Their 1996 greatest hits album, The Finest, featured the newly recorded track "Flame."
–
Ed Nimmervoll, Rovi
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More Fine Young Cannibals
Discography
The Collection
Platinum Collection
The Finest
The Raw & the Remix
The Raw & The Cooked
2009
She Drives Me Crazy (Mixes)
2004
Greatest Hits
1996
The Flame/I'm Not the Man I Used to Be (Mixes)
1991
Johnny Come Home
1990
I'm Not Satisfied
1989
Good Thing
1989
Don't Look Back
1989
I'm Not the Man I Used to Be
1988
The Raw & The Cooked
1986
Ever Fallen in Love
1986
Suspicious Minds
1985
Fine Young Cannibals
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