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Topper Headon
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Drummer
Topper Headon
wasn't an original member of
the Clash
, but it was his arrival that helped push them to the next musical level, as he quickly became an integral part of the group. Born
Nicholas Bowen Headon
on May 30, 1955 in Bromely, Kent,
Headon
grew up a soul and jazz fan (an early influence was ace fusion drummer
Billy Cobham
), and he was once a member of a local group that opened a show for
the Temptations
. It was through an acquaintance, guitarist
Mick Jones
, that
Headon
got the heads up about a tryout with
the Clash
in 1977 -- after the group had gone through an extraordinary amount of drummers during their short timespan together. With the group already enjoying a substantial following and signed to Epic Records,
Headon
agreed to join up with the group. But
Headon
's original plan was to stay with
the Clash
for only a year -- which he figured would give enough time to get his name known so he could move on to another more "suitable" group. But
Headon
quickly realized that the group was not just a one-dimensional punk band, as they branched out and touched upon a wide variety of styles -- all the while never losing sight of their original punk ideals.
Headon
appeared on such
Clash
albums as 1978's
Give 'Em Enough Rope
(on which producer
Sandy Pearlman
dubbed
Headon
"The Human Drum Machine," due to his impeccable timing and skills), 1979's classic double-album
London Calling
, 1980s sprawling triple-album set
Sandinista!
(which featured one of
Headon
's few lead vocals with
the Clash
, "Ivan Meets G.I. Joe"), and 1982's
Combat Rock
, the latter of which contained
the Clash
's biggest hit single, "Rock the Casbah," which was almost entirely penned and played by
Headon
.
But despite
the Clash
becoming one of the world's top rock outfits, a heroin addiction had drawn a wedge between
Headon
and the rest of his bandmates -- leading to
Headon
being told to either shape up or ship out. Unfortunately,
Headon
couldn't keep up his end of the bargain, which led to his dismissal from
the Clash
in 1982. After a planned reunion with
Jones
(who was expelled from
the Clash
himself a year after
Headon
's dismissal) in the group
Big Audio Dynamite
failed to work out,
Headon
focused on recording a solo album. Issued in 1986,
Headon
's
Waking Up
turned out to be an album that featured primarily soul, jazz, and R&B compositions, as well as several tracks that dealt with
Headon
's vices ("Got to Keep on Going," "Just Another Hit," etc.). The album failed to gain the attention of
the Clash
's following, as
Headon
was sent to jail a year later for drug-related offenses. In addition to recording with
the Clash
,
Headon
helped produce the obscure New York City new wave outfit the
Bush Tetras
in the early '80s (the releases
Better Late Than Never
,
Boom in the Night
, and
Tetrafied
), as well as playing drums on the 1981
Mick Jones
-produced solo release by ex-
Mott the Hoople
leader
Ian Hunter
,
Short Back and Sides
. Although little has been heard or seen of
Headon
since his
Clash
days, he was extensively interviewed along with his other former bandmates for the superb
Clash
bio-movie, Westway to the World, in the late '90s.
–
Greg Prato, Rovi
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More Topper Headon
Discography
1986
Waking Up
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